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ゴシックの侵略 : 擬似ロマン主義的自伝としての、ジェームズ・ホッグ、『義とせられたる罪びとの私的な回想と告白』(1824)
http://hdl.handle.net/10087/2365
http://hdl.handle.net/10087/2365df9a4f04-0237-42ab-bb8d-769eecf14bed
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004439075.pdf (988.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2007-12-25 | |||||||
| タイトル | ||||||||
| タイトル | ゴシックの侵略 : 擬似ロマン主義的自伝としての、ジェームズ・ホッグ、『義とせられたる罪びとの私的な回想と告白』(1824) | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| その他のタイトル | ||||||||
| その他のタイトル | Invasion of the Gothic : James Hogg's The Private Memoirs and Confessions of a Justified Sinner (1824) as a quasi-Romantic Autobiography | |||||||
| 著者 |
小林, 徹
× 小林, 徹
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| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | Because of its clear Scottish origination and religiously charged story, James Hogg's The Private Memoirs and Confessions of a Justified Sinner has been allotted fewer critical approaches with respect for the Romantic movement and various literary conventions. However, the work should not be considered totally divorced from those circumstances of the field of literature. It is not difficult to note in the Confessions two kinds of literary genre, Gothicism and autobiography, but their relationship is highly complicated. The Gothic feature is revealed in a devilish character Gil-Martin who seduces Robert Wringhim into killing his brother and others, and the peculiar structure of the work that consists of two narratives. The main narrative, the confessions, is by Robert who tells chronologically of his life, and in doing so he intends to establish his figure as a devout Christian. The other is the supplementary narrative by the editor whose apparent objective is to explain the origin of Robert's autobiographical writing and give more information as to the incidents described there, but he doubts the autobiographer's sanity and degrades the authenticity of his writing to be a fake. The editor's design seems to go well, which means that the Gothic invades the autobiographical mode to make it ineffective, but it eventually proves to be a partial success, because the Confessions paradoxically establishes itself as a quasi-Romantic autobiography by fully making use of its Gothic characteristics. First, the psychological interpretation declares Gil to be the double of Robert, and this is to show that Robert has been holding desires suppressed unknown to himself. Then, while writing about a series of his merciless adventures performed in direction of the devil, Robert unexpectedly came to be faced with his own incomprehensible self. Like many Romantic autobiographies, the Confessions taken as a whole has a function of representing the enigmatic figure of the modern self. | |||||||
| 書誌情報 |
群馬大学社会情報学部研究論集 巻 12, p. 55-68, 発行日 2005-03-31 |
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| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 1346-8812 | |||||||
| 書誌レコードID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN10477040 | |||||||
| フォーマット | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 出版者 | ||||||||
| 出版者 | 群馬大学社会情報学部 | |||||||
| 資源タイプ | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | Departmental Bulletin Paper | |||||||
| 更新日 | ||||||||
| 日付 | 2017-03-27 | |||||||
| 日付タイプ | Created | |||||||
