@article{oai:gunma-u.repo.nii.ac.jp:00001112,
 author = {Kawashima, Motohiro and 河島, 基弘},
 journal = {群馬大学社会情報学部研究論集},
 month = {Mar},
 note = {application/pdf, Departmental Bulletin Paper, In this article I examine the method and content of the Academy-Award-winning American\ndocumentary film"The Cove", the theme of which is to expose to the public the inhumanity of\ndolphin hunting conducted in Taiji, Japan from the viewpoint of an anti-dolphin-hunting cam-\npaigner. After describing the synopsis of the film, I call in question the film's shooting method.\nThe questions to ask are:how much of a reconstruction of the scene is peumissible in the\ndocumentary film?; is it acceptable to take the sneak shots of the subjects without their\npermission?  Then I move on to the analysis of the content of the film. The questions to ask\nhere are:is it a manifestation of cultural imperialism when someone insists that dolphins are\nspecial creatures and then obliges other culture to take the same position?; is 辻true that''The\nCove'"is anti-Japan?  In this article I work on to answer these questions.},
 pages = {35--48},
 title = {『ザ・コーヴ』は問題作品か　―あるドキュメンタリー映画の手法と内容の考察―},
 volume = {18},
 year = {2011}
}