{"created":"2023-06-19T08:35:04.142420+00:00","id":1112,"links":{},"metadata":{"_buckets":{"deposit":"cc451ffc-621c-417e-9323-ea12884b14d5"},"_deposit":{"created_by":2,"id":"1112","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"1112"},"status":"published"},"_oai":{"id":"oai:gunma-u.repo.nii.ac.jp:00001112","sets":["325:326:344"]},"author_link":["1256","1257"],"item_5_alternative_title_1":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Is the film \"The Cove\" problematic?   ―An Investigation of the method and content of a documentary film―"}]},"item_5_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"48","bibliographicPageStart":"35","bibliographicVolumeNumber":"18","bibliographic_titles":[{"bibliographic_title":"群馬大学社会情報学部研究論集"}]}]},"item_5_creator_4":{"attribute_name":"著者別名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Kawashima, Motohiro"}],"nameIdentifiers":[{}]}]},"item_5_date_61":{"attribute_name":"更新日","attribute_value_mlt":[{"subitem_date_issued_datetime":"2017-03-27","subitem_date_issued_type":"Created"}]},"item_5_description_15":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_5_description_39":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"Departmental Bulletin Paper","subitem_description_type":"Other"}]},"item_5_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"In this article I examine the method and content of the Academy-Award-winning American\\ndocumentary film\"The Cove\", the theme of which is to expose to the public the inhumanity of\\ndolphin hunting conducted in Taiji, Japan from the viewpoint of an anti-dolphin-hunting cam-\\npaigner. After describing the synopsis of the film, I call in question the film's shooting method.\\nThe questions to ask are:how much of a reconstruction of the scene is peumissible in the\\ndocumentary film?; is it acceptable to take the sneak shots of the subjects without their\\npermission?  Then I move on to the analysis of the content of the film. The questions to ask\\nhere are:is it a manifestation of cultural imperialism when someone insists that dolphins are\\nspecial creatures and then obliges other culture to take the same position?; is 辻true that''The\\nCove'\"is anti-Japan?  In this article I work on to answer these questions.","subitem_description_type":"Abstract"}]},"item_5_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"群馬大学社会情報学部"}]},"item_5_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10477040","subitem_source_identifier_type":"NCID"}]},"item_5_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1346-8812","subitem_source_identifier_type":"ISSN"}]},"item_5_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"河島, 基弘"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-11-17"}],"displaytype":"detail","filename":"18_35.pdf","filesize":[{"value":"676.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"18_35.pdf","url":"https://gunma-u.repo.nii.ac.jp/record/1112/files/18_35.pdf"},"version_id":"6576e154-6120-40dd-a331-119076efa167"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ザ・コーヴ","subitem_subject_scheme":"Other"},{"subitem_subject":"ドキュメンタリー映画","subitem_subject_scheme":"Other"},{"subitem_subject":"手法","subitem_subject_scheme":"Other"},{"subitem_subject":"内容","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『ザ・コーヴ』は問題作品か　―あるドキュメンタリー映画の手法と内容の考察―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『ザ・コーヴ』は問題作品か　―あるドキュメンタリー映画の手法と内容の考察―"}]},"item_type_id":"5","owner":"2","path":["344"],"pubdate":{"attribute_name":"公開日","attribute_value":"2011-08-11"},"publish_date":"2011-08-11","publish_status":"0","recid":"1112","relation_version_is_last":true,"title":["『ザ・コーヴ』は問題作品か　―あるドキュメンタリー映画の手法と内容の考察―"],"weko_creator_id":"2","weko_shared_id":-1},"updated":"2023-06-19T13:55:57.719861+00:00"}