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動きのなかのワーズワス : 『湖水地方案内』(1835)、ピクチュアレスク、そしてガイドブックの伝統
http://hdl.handle.net/10087/2298
http://hdl.handle.net/10087/2298bd1d4234-3d3a-4398-bd48-6ad324a64ccb
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2007-12-25 | |||||
タイトル | ||||||
タイトル | 動きのなかのワーズワス : 『湖水地方案内』(1835)、ピクチュアレスク、そしてガイドブックの伝統 | |||||
言語 | ||||||
言語 | jpn | |||||
その他のタイトル | ||||||
その他のタイトル | Wordsworth in Motion : A Guide Through the District of the Lakes (1835), the Picturesque, and Guidebook Tradition | |||||
著者 |
小林, 徹
× 小林, 徹 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | William Wordsworth wrote A Guide Through the District of the Lakes under the influence of a cultural movement which had stemmed from he picturesque aesthetics initiated by William Gilpin and others. It is evident that this work is in the tradition of a guidebook because the author is loyal to its conventions which Gilpin and Thomas West, another picturesque advocate and famous guidebook writer, formulated. But Guide is unique In a certain deviation from the tradition, and that is where the author goes beyond the picturesque aesthetics and thus Wordsworth, the poet and present-day wrier, emerges. In the historical description of the landscape of the Lake District, the author blamed late settlers for inadequate management of the area which led to deterioration of the landscape, and articulated the social shift to the machine-based production system which too had begotten its decline. Then he made some modification proposals as well as the plan for fashioning this region into national property, so Guide is also the book of accusation and improvement. The pivotal question is what enabled him to state these things. Wordsworth did not perceive landscape as the picturesque school had done and recommended. They view nature as a picture, which allows people to see selectively, while he views it as it is, including the changing aspects of the landscape even if they are unappealing. And by applying this visual mode in the work itself, Wordsworth tried to convert the taste or the value system of his contemporaries from aesthetical to environmental, and this intent is substantially the same as the one expressed in Lyrical Ballads, where the poet aimed to displace the readers' traditional ideas of poetry and poetics. Lastly, Guide could be regarded as the call to protect the environment, which is unquestionably of paramount concern to us today. | |||||
書誌情報 |
群馬大学社会情報学部研究論集 巻 6, p. 77-100, 発行日 1999-03-20 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 1346-8812 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10477040 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
出版者 | ||||||
出版者 | 群馬大学社会情報学部 | |||||
資源タイプ | ||||||
内容記述タイプ | Other | |||||
内容記述 | Departmental Bulletin Paper | |||||
更新日 | ||||||
日付 | 2017-03-27 | |||||
日付タイプ | Created |