WEKO3
アイテム
ディジタル化とシェイクスピア上演・上演研究
http://hdl.handle.net/10087/13302
http://hdl.handle.net/10087/13302f876ce5c-c0f8-4231-b4bd-bace4455bfa5
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
28-P2-SUEMATSU.pdf (1.2 MB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2021-03-01 | |||||||
| タイトル | ||||||||
| タイトル | ディジタル化とシェイクスピア上演・上演研究 | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| その他のタイトル | ||||||||
| その他のタイトル | The Impact of Digitalization on Shakespeare Performance and Performance Studies | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | シェイクスピア上演 | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | 比較上演研究 | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | ディジタル化 | |||||||
| 著者 |
末松, 美知子
× 末松, 美知子 |
|||||||
| 著者別名 |
SUEMATSU, Michiko
× SUEMATSU, Michiko
|
|||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | As a preliminary study to assess the impact of digitalization on Shakespeare performance and performance studies in general, this paper discusses how digitalization in the past few decades transformed Shakespeare performance per se, media to watch performance, and performance studies in UK and Japan. The Royal Shakespeare Company production of The Tempest (2016-17) is chosen as one of the most successful examples of Shakespeare performance that goes digital. The cutting-edge digital technology not only has created remarkable visual representations of ‘magic’ but successfully become integrated in the play’s dramatic narrative. Digitalization has also diversified the experience of watching performances beyond theatre via broadcast at movie theaters such as RSC Live from Stratford and NT Live, and digital platforms such as Globe Player and Digital Theatre. The paper also explores how digitalization can open up a new possibility of performance studies beyond geographic and time constraints, focusing on one of the digital archives, Asian Shakespeare Intercultural Archive (A|S|I|A), a multilingual online archive of Shakespeare performances from East and Southeast Asia. | |||||||
| 書誌情報 |
群馬大学社会情報学部研究論集 巻 28, p. 17-28, 発行日 2021-03-01 |
|||||||
| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 1346-8812 | |||||||
| 書誌レコードID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AN10477040 | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 出版者 | ||||||||
| 出版者 | 群馬大学社会情報学部 | |||||||
| 資源タイプ | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | Departmental Bulletin Paper | |||||||
